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1. Luga

Luga sample

The typeface was designed at SoftUnion in 1994 by Nikita Vsesvetsky. Luga is similar to ITC Lubalin Graph by Herbert Lubalin, 1974. Details »

2. Circe

Circe sample

Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. The name of the font is derived from both its geometric shapes and artificial, kinky nature. Details »

3. Futura PT

Futura PT sample

Futura was designed for Bauer company in 1927 by Paul Renner. This is a sans serif face based on geometrical shapes, representative of the aesthetics of the Bauhaus school of the 1920s-30s. Details »

4. Helios

Helios sample

The typeface was designed at TypeMarket in 1993-1996 by Alexey Kustov and Sergey Shanovich. Based on Helvetica™ by Eduard Hoffmann and Max Miedinger, Linotype, 1957. Details »

5. FreeSet

FreeSet sample

The FreeSet type family in four basic styles, based on Frutiger, of Mergenthaler Linotype, 1976 by Adrian Frutiger, was designed in ParaType (ParaGraph) in 1992 by Tagir Safayev. Frutiger font was originally aimed to be used on the new Charles de Gaulle Airport at Roissy signs. Details »

6. ITC Franklin Gothic

ITC Franklin Gothic sample

This typeface was designed for the International Typeface Corporation in 1980 by Victor Caruso. Franklin Gothic was originally designed by Morris Fuller Benton and first issued by American Type Founders in 1904. Details »

7. URW Franklin Gothic

URW Franklin Gothic top selling font preview

URW Franklin Gothic was developed at URW++ foundry, designed by URW Studio, (Morris Fuller Benton). Details »

8. FF DIN Pro

FF DIN Pro sample

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9. Futura Futuris

Futura Futuris sample

Futura Futuris was designed at ParaType (ParaGraph) in 1991 by Vladimir Yefimov, basing on Futura of the Bauer company, 1927, by Paul Renner. Futura is a registered trade mark of Neufville, SL. Details »

10. ITC Officina Sans

ITC Officina Sans sample

Designed for the International Typeface Corporation in 1990 by Erik Spiekermann. A sans serif version of ITC Officina Serif. Details »

11. Adventure

Adventure sample

Adventure is a calligraphic script originally designed in Cyrillic character set by Natalia Vasilyeva in 2001. An extension to the Western code page was done in 2007. Details »

12. Magistral

Magistral sample

The first three weights of the family were designed at ParaType (ParaGraph) in 1997 by Dmitry Kirsanov. They were based on the artworks of Moscow graphic designer Andrey Kryukov (1923-1997). Details »

13. ITC Garamond

ITC Garamond sample

The typeface was designed for the International Typeface Corporation in 1975 by Tony Stan, inspired by the typefaces of the French punchcutter Claude Garamond (middle of the 16th century) and its modern versions. This version has a large x-height, close letterspacing and a wide range of weights and widths. Details »

14. Humanist 521

Humanist 521 sample

Humanist 521 is a Bitstream digitized version of Gill Sans typeface. The font was designed by Eric Gill and released by Monotype circa 1928-1930. Details »

15. ITC Officina Serif

ITC Officina Serif sample

This typeface was designed for the International Typeface Corporation in 1990 by Eric Spiekermann and Just van Rossum. Designed as a stepping stone from typewriter type to traditional typographic design. Details »

16. PT Sans Pro

PT Sans Pro sample

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). Details »

17. Newton

Newton sample

Newton was developed at ParaType (ParaGraph) in 1990 by Vladimir Yefimov and Alexander Tarbeev under the name TimesET. It’s based on Times New Roman of Monotype, 1932, by Stanley Morison and Victor Lardent, and other versions of Times. Details »

18. Mediator

Mediator sample

Mediator is a balanced contemporary sans serif typeface that performs well both in display sizes and body text. The family contains 30 fonts in 3 widths: 8 romans with matching italics, of slightly extended proportions, from Thin to Black; 7 narrow and 7 condensed, from Thin to ExtraBold. Details »

19. Literaturnaya

Literaturnaya sample

Literaturnaya was designed at NII OGIZ type design bureau circa 1940, basing on Latinskaya of the Berthold foundry (St.-Petersburg, 1901), Cyrillic version of Lateinische of H.Berthold (Berlin, 1899). Details »

20. Pragmatica

Pragmatica sample

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva as a spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Pragmatica was inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957, by Eduard Hoffman and Max Miedinger. Details »

21. Minion Pro

Minion Pro font download

In designing Minion font, Robert Slimbach was inspired by the timeless beauty of the fonts of the late Renaissance. Minion was created primarily as a traditional text font but adapts well to today's digital technology, presenting the richness of the late baroque forms within modern text formats. Details »

22. Stem

Stem sample

Stem is a geometric sans serif with semi-closed aperture and large x-height. 12 faces of it, including upright and true italic faces of different weights, are intended primarily for large point sizes. Details »

23. PT Serif Pro

PT Serif Pro sample

PT Serif Pro is a universal type family to be used in combination with PT Sans Pro family released earlier. PT Serif Pro matches PT Sans Pro in metrics, proportions, weights and design. Details »

24. Myriad Pro

Myriad Pro font download

Myriad® was designed in 1992 by Robert Slimbach, Carol Twombly, and the design staff at Adobe Systems. It's a humanist sans serif typeface, meaning that the forms are primarily based on classic romans, much like conventional or classic serifed fonts but without the serifs. Details »

25. Avenir Next Cyrillic

Avenir Next Cyrillic font download

Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. Details »